Up to -25%
Up to -25%

Sennelier Oil Pastel Fixative

Sennelier Oil Pastel Fixative has been specifically created for oil pastels and wax crayons. It allows sheets to be laid on top of each other without sticking, which is ideal for transportation and for framing. More
£ 12.95
incl. VAT | Delivery Information.
-25%
-25%
Sennelier Oil Pastel Fixative, 400ml
GHS02 - Flammable GHS07 - Harmful DANGER
H222 H229 H315 H319
Code 8-21281
Ready for shipping
400 ml
Price per100 ml: £ 2.42
£ 12.95   £ 9.69

Key to symbols
GHS02 - Flammable
GHS02 - Flammable
GHS07 - Harmful
GHS07 - Harmful
H222: Extremely flammable aerosol.
H229: Pressurized container: may burst if heated.
H315: Causes skin irritation.
H319: Causes serious eye irritation.

Sennelier Oil Pastel Fixative has been specifically created for oil pastels and wax crayons. It allows sheets to be laid on top of each other without sticking, which is ideal for transportation and for framing.

This Sennelier Oil Pastel Fixative also protects the surface from dust, which can simply be wiped off with a soft cloth or brush. It is based on a synthetic resin and alcohol, and does not penetrate or dissolve the colour. Sennelier Oil Pastel Fixative is sold in 400ml aerosol cans.

  • Key features:
  • completely colourless
  • non-yellowing
  • slightly shiny
  • dense
  • water-resistant

NB Best results are achieved by applying sparingly in even layers. To prevent the nozzle clogging, upend the can briefly after use and empty the valve.

Price per can.

Stock availability online does not reflect availability in-store.
At last...a real fixative that works! - This does exactly what it says. It coats the pastel and produces a surface which is durable and slightly shiny. In other words it makes the oil pastel look like a varnished oil-painting. Like a retouching varnish it enhances the tonal values, however, so go carefully.

The instructions are clear and correct...it does work best in succesive light coats rather than one heavy spray. Best of all once varnished/fixed it is possible to continue with further layers of paint or pastel without disturbing the work underneath.

Incidentally this also works well with watercolour, and will also fix sprayed-on underglaze colours on ceramics making it easier to load such works into a kiln without finger-marks. Presumably it will also fix chalk pastels in the same way.
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