WINSOR & NEWTON™ | Artists' OIL COLOUR™ — individual tubes
This range offers a wide and balanced spectrum of colours. Made using only the purest pigments resulting in very clean, bright colours that deliver optimum colour mixing. Available in 2 sizes.
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![Underpainting White]()
![Zinc White]()
![Titanium White]()
![Flake White Hue]()
![Iridescent White]()
![Lemon Yellow Hue]()
![Winsor Lemon]()
![Cadmium Lemon]()
![Cadmium-Free Lemon]()
![Bismuth Yellow]()
![Green Gold]()
![Transparent Yellow]()
![Winsor Yellow]()
![Chrome Yellow Hue]()
![Cadmium Yellow Pale]()
![Cadmium-Free Yellow Light]()
![Indian Yellow Deep]()
![Indian Yellow]()
![Winsor Yellow Deep]()
![Cadmium Yellow]()
![Cadmium-Free Yellow]()
![Naples Yellow Deep]()
![Naples Yellow Light]()
![Naples Yellow]()
![Jaune Brilliant]()
![Cadmium Yellow Deep]()
![Cadmium-Free Yellow Deep]()
![Cadmium Orange]()
![Cadmium-Free Orange]()
![Orange Laque Mineral]()
![Transparent Orange]()
![Transparent Red Ochre]()
![Winsor Orange]()
![Light Red]()
![Cadmium Red Deep]()
![Cadmium-Free Red Deep]()
![Ruby Madder Alizarin]()
![Cadmium Scarlet]()
![Cadmium-Free Scarlet]()
![Cadmium Red]()
![Cadmium-Free Red]()
![Scarlet Lake]()
![Bright Red]()
![Winsor Red]()
![Winsor Red Deep]()
![Pale Rose Blush]()
![Rose Dore]()
![Alzarin Crimson]()
![Permanent Alzarin Crimson]()
![Quinacridone Red]()
![Permanent Carmine]()
![Rose Madder Genuine]()
![Permanent Rose]()
![Purple Madder]()
![Purple Lake]()
![Quinacridone Magenta]()
![Permanent Magenta]()
![Magenta]()
![Permanent Mauve]()
![Cobalt Violet]()
![Winsor Violet (Dioxazine)]()
![Ultramarine Violet]()
![Mauve Blue Shade]()
![Indanthrene Blue]()
![Smalt (Dumont's Blue)]()
![Winsor Blue (Red Shade)]()
![Winsor Blue (Green Shade)]()
![Prussian Blue]()
![Oriental Blue]()
![Cobalt Blue Deep]()
![Ultramarine (Green Shade)]()
![French Ultramarine]()
![Cobalt Blue]()
![Cerulean Blue]()
![Manganese Blue Hue]()
![Cobalt Turquoise Light]()
![Phthalo Turquoise]()
![Indigo]()
![Cobalt Turquoise]()
![Chrome Green Deep Hue]()
![Mineral Green Deep]()
![Winsor Green (Phthalo)]()
![Winsor Green (Yellow Shade)]()
![Winsor Emerald]()
![Permanent Green]()
![Permanent Green Light]()
![Permanent Green Deep]()
![Cobalt Green]()
![Viridian hue]()
![Cadmium Green Pale]()
![Cadmium-Free Green Pale]()
![Sap Green]()
![Prussian Green]()
![Cobalt Chromite Green]()
![Terre Verte]()
![Oxide of Chromium]()
![Olive Green]()
![Raw Umber (Green Shade)]()
![Raw Umber]()
![Vandyke Brown]()
![Burnt Umber]()
![Mars Violet Deep]()
![Warm Brown Pink]()
![Burnt Sienna]()
![Transparent Maroon]()
![Indian Red]()
![Venetian Red]()
![Terra Rosa]()
![Transparent Brown Oxide]()
![Brown Madder]()
![Gold Ochre]()
![Transparent Gold Ochre]()
![Raw Sienna]()
![Yellow Ochre]()
![Brown Ochre]()
![Yellow Ochre Light]()
![Yellow Ochre Pale]()
![Raw Umber Light]()
![Davy's Grey]()
![Payne's Grey]()
![Perylene Black]()
![Ivory Black]()
![Mars Black]()
![Charcoal Grey]()
![Lamp Black]()
![Blue Black]()
![Pewter]()
![Silver]()
![Gold]()
![Renaissance Gold]()
![Bronze]()
![Copper]()
semi-opaque
opaque
transparent
semi-transparent
excellent lightfastness
maximum lightfastness
maximum lightfastness ASTM I
good lightfastness
very good lightfastness ASTM II
bleached by acids, acidic atmospheres
Series
Price series
You can filter by colour groups:
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-25%
674
Series 1
Underpainting White
-25%
748
Series 1
Zinc White
-25%
644
Series 1
Titanium White
-25%
242
Series 1
Flake White Hue
-25%
330
Series 1
Iridescent White
-25%
347
Series 4
Lemon Yellow Hue
-25%
722
Series 2
Winsor Lemon
-25%
086
Series 4
Cadmium Lemon
-25%
898
Series 4
Cadmium-Free Lemon
-25%
025
Series 4
Bismuth Yellow
-25%
294
Series 2
Green Gold
-25%
653
Series 4
Transparent Yellow
-25%
730
Series 2
Winsor Yellow
-25%
149
Series 1
Chrome Yellow Hue
-25%
118
Series 4
Cadmium Yellow Pale
-25%
907
Series 4
Cadmium-Free Yellow Light
-25%
320
Series 2
Indian Yellow Deep
-25%
319
Series 2
Indian Yellow
-25%
731
Series 2
Winsor Yellow Deep
-25%
108
Series 4
Cadmium Yellow
-25%
890
Series 4
Cadmium-Free Yellow
-25%
425
Series 2
Naples Yellow Deep
-25%
426
Series 1
Naples Yellow Light
-25%
422
Series 1
Naples Yellow
-25%
333
Series 1
Jaune Brilliant
-25%
111
Series 4
Cadmium Yellow Deep
-25%
891
Series 4
Cadmium-Free Yellow Deep
-25%
089
Series 4
Cadmium Orange
-25%
899
Series 4
Cadmium-Free Orange
-25%
416
Series 2
Orange Laque Mineral
-25%
650
Series 4
Transparent Orange
-25%
647
Series 1
Transparent Red Ochre
-25%
724
Series 2
Winsor Orange
-25%
362
Series 1
Light Red
-25%
097
Series 4
Cadmium Red Deep
-25%
895
Series 4
Cadmium-Free Red Deep
-25%
411
Series 3
Ruby Madder Alizarin
-25%
106
Series 4
Cadmium Scarlet
-25%
903
Series 4
Cadmium-Free Scarlet
-25%
094
Series 4
Cadmium Red
-25%
901
Series 4
Cadmium-Free Red
-25%
603
Series 2
Scarlet Lake
-25%
042
Series 1
Bright Red
-25%
726
Series 2
Winsor Red
-25%
725
Series 2
Winsor Red Deep
-25%
257
Series 2
Pale Rose Blush
-25%
576
Series 5
Rose Dore
-25%
004
Series 2
Alzarin Crimson
-25%
468
Series 4
Permanent Alzarin Crimson
-25%
548
Series 4
Quinacridone Red
-25%
479
Series 2
Permanent Carmine
-25%
587
Series 5
Rose Madder Genuine
-25%
502
Series 2
Permanent Rose
-25%
543
Series 2
Purple Madder
-25%
544
Series 1
Purple Lake
-25%
545
Series 2
Quinacridone Magenta
-25%
489
Series 2
Permanent Magenta
-25%
380
Series 2
Magenta
-25%
491
Series 4
Permanent Mauve
-25%
192
Series 5
Cobalt Violet
-25%
733
Series 2
Winsor Violet (Dioxazine)
-25%
672
Series 2
Ultramarine Violet
-25%
400
Series 1
Mauve Blue Shade
-25%
321
Series 4
Indanthrene Blue
-25%
710
Series 2
Smalt (Dumont's Blue)
-25%
706
Series 2
Winsor Blue (Red Shade)
-25%
707
Series 2
Winsor Blue (Green Shade)
-25%
538
Series 1
Prussian Blue
-25%
414
Series 2
Oriental Blue
-25%
180
Series 5
Cobalt Blue Deep
-25%
667
Series 1
Ultramarine (Green Shade)
-25%
263
Series 2
French Ultramarine
-25%
178
Series 4
Cobalt Blue
-25%
137
Series 4
Cerulean Blue
-25%
379
Series 1
Manganese Blue Hue
-25%
191
Series 4
Cobalt Turquoise Light
-25%
526
Series 1
Phthalo Turquoise
-25%
322
Series 2
Indigo
-25%
190
Series 5
Cobalt Turquoise
-25%
147
Series 1
Chrome Green Deep Hue
-25%
412
Series 3
Mineral Green Deep
-25%
720
Series 2
Winsor Green (Phthalo)
-25%
721
Series 2
Winsor Green (Yellow Shade)
-25%
708
Series 2
Winsor Emerald
-25%
481
Series 2
Permanent Green
-25%
483
Series 2
Permanent Green Light
-25%
482
Series 2
Permanent Green Deep
-25%
184
Series 5
Cobalt Green
-25%
696
Series 2
Viridian hue
-25%
084
Series 4
Cadmium Green Pale
-25%
897
Series 4
Cadmium-Free Green Pale
-25%
599
Series 2
Sap Green
-25%
540
Series 2
Prussian Green
-25%
183
Series 4
Cobalt Chromite Green
-25%
637
Series 1
Terre Verte
-25%
459
Series 4
Oxide of Chromium
-25%
447
Series 2
Olive Green
-25%
558
Series 1
Raw Umber (Green Shade)
-25%
554
Series 1
Raw Umber
-25%
676
Series 1
Vandyke Brown
-25%
076
Series 1
Burnt Umber
-25%
395
Series 2
Mars Violet Deep
-25%
413
Series 2
Warm Brown Pink
-25%
074
Series 1
Burnt Sienna
-25%
657
Series 2
Transparent Maroon
-25%
317
Series 2
Indian Red
-25%
678
Series 1
Venetian Red
-25%
635
Series 1
Terra Rosa
-25%
648
Series 1
Transparent Brown Oxide
-25%
056
Series 1
Brown Madder
-25%
285
Series 1
Gold Ochre
-25%
646
Series 2
Transparent Gold Ochre
-25%
552
Series 1
Raw Sienna
-25%
744
Series 1
Yellow Ochre
-25%
059
Series 1
Brown Ochre
-25%
745
Series 1
Yellow Ochre Light
-25%
746
Series 1
Yellow Ochre Pale
-25%
557
Series 1
Raw Umber Light
-25%
217
Series 2
Davy's Grey
-25%
465
Series 1
Payne's Grey
-25%
505
Series 1
Perylene Black
-25%
331
Series 1
Ivory Black
-25%
386
Series 2
Mars Black
-25%
142
Series 1
Charcoal Grey
-25%
337
Series 1
Lamp Black
-25%
034
Series 1
Blue Black
-25%
511
Series 2
Pewter
-25%
617
Series 2
Silver
-25%
283
Series 2
Gold
-25%
573
Series 2
Renaissance Gold
-25%
058
Series 2
Bronze
-25%
214
Series 2
Copper
Key to symbols
semi-opaque
opaque
transparent
semi-transparent
excellent lightfastness
maximum lightfastness
maximum lightfastness ASTM I
good lightfastness
very good lightfastness ASTM II
bleached by acids, acidic atmospheres
Series
Price series
Best described as rich, this classic oil colour has a full and buttery consistency. Because WINSOR & NEWTON™ Artists' OIL COLOUR™ is slightly stiffer, it retains the characteristic touch of your brush and palette knife.
The wide and well-balanced range includes some 125 bright and pure colours rubbed in linseed and safflower oil, which mix well with each other. Only the best pigments are used, in a high concentration: a little goes a long way! Even when mixed with white, the tinting strength remains. Except for alizarin crimson, all colours have the highest lightfastness.
The longer drying time is typical of oil paints: this gives you plenty of time to build up your work, make changes and achieve typical effects. Drying times also vary by colour. Some pigments absorb less oil and dry faster, others absorb more oil and dry more slowly. Apart from this, some pigments have an inherent drying accelerating effect, while others have a drying retarding effect. After the diluent has evaporated, oil colours dry by oxidation: the oil changes its chemical structure through contact with oxygen. This process is accelerated by lower humidity, higher temperature and air circulation, and exposure to daylight. High humidity or lack of daylight is fatal for good thorough-drying!
All WINSOR & NEWTON™ Artists' OIL COLOURS™ feel touch-dry after 2-12 days. You can slow down or speed up the drying time by using mediums. After about 6 - 12 months, your painting will be sufficiently dry to varnish it. An oil painting can take decades to dry thoroughly!
Below are some examples of the drying time of WINSOR & NEWTON™ Artists' OIL COLOURS™ .
Short drying time, approx. 2 days:
- 491 Permanent mauve ○ 178 Cobalt blue ○ 180 Cobalt blue deep ○ 538 Prussian blue ○ 552 Raw sienna ○ 554 Raw umber ○ 557 Raw umber light ○ 558 Raw umber (green shade) ○ 076 Burnt umber ○ 242 Flake white (hue) ○ 674 Underpainting white
Medium drying time, approx. 5 days:
- 706 Winsor blue (red shade) ○ 707 Winsor blue (green shade) ○ 720 Winsor green ○ 721 Winsor green (yellow shade) ○ 074 Burnt sienna ○ 192 Cobalt violet ○ 184 Cobalt green ○ 667 Ultramarine (green shade) ○ 263 French ultramarine ○ 599 Sap green ○ 468 Permanent alizarin crimson ○ 285 Gold ochre ○ 646 Transparent gold ochre ○ 744 Yellow ochre ○ 059 Brown ochre ○ 745 Yellow ochre light ○ 746 Yellow ochre pale ○ 086 Cadmium lemon ○ 118 Cadmium yellow pale ○ 108 Cadmium yellow ○ 111 Cadmium yellow deep ○ 089 Cadmium orange ○ 097 Cadmium red deep ○ 106 Cadmium scarlet ○ 094 Cadmium red ○ 644 Titanium white ○ 748 Zinc white ○ 337 Lamp black ○ 331 Ivory black
Long drying time, more than 5 days:
- 730 Winsor yellow ○ 548 Quinacridone red ○ 545 Quinacridone magenta ○ 004 Alizarin crimson
What is the best white to use? With the exception of Underpainting white, which is rubbed in linseed oil, all WINSOR & NEWTON™ whites are rubbed in safflower oil. Safflower oil is lighter in colour and less prone to yellowing than linseed oil. However, it dries more slowly and 'works' more during drying. Therefore, do not use safflower oil in underpainting. However, for normal applications or as a mixing white, a white based on safflower oil is perfect.
No 2 whites are the same!
- 674 Underpainting white is a mix of titanium and zinc white. It dries quickly and is perfect for underpainting.
- 748 Zinc white is the subtlest and most transparent white. Cool, tending towards blue. An excellent mixing white, suitable for tints and glazing layers.
- 644 Titanium white is the most widely used, most modern and opaque white. A hard white that quickly dominates in blends and tends to make colours chalky.
- 242 Flake white hue is a modern approach to the classic lead white. Good mixing white, more subtle than titanium white, warmer than zinc white.
- 330 Iridescent white is a mica-based pearlescent white. TIP! — You get the best results if you mix it with transparent colours!
Price per tube.
Please note: Due to the limited size of our London shop, not all items on the website are in stock in London. To avoid disappointment, we recommend contacting the shop to reserve or order the product.
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